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Title of Article

EVOLUTION OF INTROSPECTIVE MODES IN RUSSIAN-LANGUAGE POETRY OF THE 20TH CENTURY: TRENDS AND AESTHETIC VECTORS


Issue
3
Date
2025

Section
THEORETICAL PROBLEMS

Article type
scientific article
UDC
82
Pages
7-18
Keywords
русскоязычная поэзия XX века, интроспективный режим, когнитивная доминанта, фокус, ментатив, субъект поэтического текста, истори-ческая перспектива, Russian-language poetry of the 20th century, introspective mode, cognitive dominant, focus, mentative, subject of poetic text, historical perspective


Abstract
The article is devoted to the study of the evolution of literary strategies for describing internal eventivity in Russian-language poetry of the 20th century. The author analyzes changes in the cognitive dominant (focus) as a key factor in the transformation of the introspective mode in the poetic text. The author’s attention is focused on such poets as Velimir Khlebnikov, Gennady Aigi, Arkady Dragomoshchenko and others. It is shown that work with cognitive primitives begins in the second half of the 19th century, and Afanasy Fet is named as one of the key poetic figures who worked with sensory primitives. The author believes that a change in the cognitive dominant is one of the aspects of systemic cultural dynamics, and scientific, philosophical, communicative and technical transformations of social reality are named as key non-literary factors influencing the change in introspective modes. The article distinguishes three basic introspective modes: 1) a strategy based on focusing on sensory (perceptual) experiences; 2) a strategy focusing on the individual cognitive functions into which the poetic "I" is disintegrated; 3) a strategy focusing on multiple planes simultaneously, which leads to the realization of modes of nonlinear and decentralized 18 attention. The author traces the connection between the increasing complexity of the introspective mode and the strengthening of the internal performativity of the text, understood as the lingua-creative modeling of the experience of a poetic event in the reader's perception. The article demonstrates that the development of introspective modes is accompanied by the increasing complexity of discursive and communicative strategies that create the complex semantic of the poetic text.

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